JASON DUCAT

“Jason Ducat provides such an intentionally nerve-jangling sound design that the sonic effects so integral to the piece, almost become another character.“ – David Marlowe, Marlowe’s Musings

“Jason Ducat who creates the eerie sounds of both the past and present. Together their works foreshadow what is to come without the use of the spoken word.” – Emilee Hatfield, Riley Reels

“Special note needs to be made of the many fight scenes…and the blaring horns and incessant drums of Jason Ducat’s sound design. When its time to get down to the business of combat, the sound fills the stage with an infectious energy and sense of danger.” – Scott Rochat, Boulder Daily Camera

“Jason Ducat’s sound design combined with lighting designer Shannon McKinney’s play of spooky shadows has us on the edge of our seats.“ – Bob Bows, Colorado Drama

“It is, however, Jason Ducat’s sound design which gives us our auditory ticket. His is perhaps the most evocative sound design this reviewer has experienced in several years. Mr. Ducat’s sonic choices took this reviewer back half a century to European travel by train . Ducat’s choices for sound effects and musical bridges between the […]

“Jason Ducat’s sound design, particularly his work on the ghosts and the aural montage after Scrooge sees the painful, enlightening visions of his Christmases past, are world-building highlights.” – Gary Zeider, Boulder Weekly

“Jason spends more time in the rehearsal room than any designer I know, and consequently always has a remarkably keen understanding of not only the play, but this particular production of the play…That’s what make this work so alive. He not only has a great ear for music and sound, he has a great eye […]